Tuesday, August 29, 2017
Small Circle "Spinning" and "Mornings" Track Review
Maybe you remember reading my review of Melatonin by Small Circle, the beautiful first ep from this Philadelphia 4-piece, and maybe you don't, but either way the band is releasing their debut full length, Cyclical, on Flower Girl Records on September 8 and we are lucky enough to already have two tracks to taste before the record drops.
"Spinning" is technical, stacked, ballad of a song about putting in non-reciprocated effort into a relationship but sticking it out anyways. Cam Boucher and Marissa D'elia share dual vocal duties and the contrast between the monotone style of Boucher and the beautiful tone of D'elia during the chorus line, "I'll be just fine," is really emotional. The instrumentation does a great job raising the atmosphere and creating this hopeful feel around this awful experience. This song alone makes me very excited for this record.
"Mornings" for one reason or another reminds me of the closing credit song from the HBO series, The Wire, and I love it. The song has a sad 60's vibe to it. It's filled with that feeling of staying up until early mornings, or pulling an all-nighter for no reason, alone in our room with the lights bright, a mess on the floor, creating something or waiting for nothing, unaware of the time or fully aware and not caring. It's somber and it's wanting and it's wonderful.
Cyclical comes out on September 8 on Flower Girl records. Preorder it now!
Small Circle hit the road with Remo Drive and McCafferty this September.
09/05 - Philadelphia, PA @ PhilaMOCA
09/06 - Asbury Park, PA @ Asbury Park Brewery
09/07 - Brooklyn, NY @ The Knitting Factory
09/08 - Kingston, NY @ BSP
09/09 - Boston, MA @ Sonia's
Monday, August 21, 2017
Cataldo 'Keepers' Review
Brian Anderson’s new record Keepers under the name Cataldo seems like something we’ve heard before only this time it’s different. Like listening to someone else read a book you’ve already read. It’s familiar but it’s also completely redone and original. Sitting somewhere between 80’s pop, Deathcab For Cutie, and the nostalgia of Jr. High dances, Keepers is all at once full of sadness, bright pop, and awkward slow dances with pretty people, and sweat palms on hips and shoulders.
Ben Gibbard of Deathcab fame sings on the album’s opener “Room Without A Flame” and the chord that connects both Anderson and the indie rock staple is both connected and severed. Yes there are great similarities between the two smart-indie rockers, but where Gibbard is subtle, shy, and soft, Anderson breaks through with a soft grit in the vein of Kristian Matsson’s The Tallest Man On Earth.
On the personal “Person You’d Be Proud Of” Anderson creates a beautiful and hopeful atmosphere drenched in teen movie, pop movements. Similar nostalgia stems from my personal favorite track, “Little Heartbeat.” The song is fun, playful, and it’s a time machine in song. A nervous fumbling of hands and lips in the school gymnasium, standing shy against the wall, moving closer in a crowd of friends, popular girls, sad lonely boys, and drunk chaperones. Fast pecks, a quick glance, a giggle, noticeable and unrecognizable. We are having fun here.
That’s what makes Keepers so great. On “Your Love Has Got me Running Home (To You)” Anderson is restless but also on the line and settling down with love, and on “A Short Goodbye To No One In Particular” Anderson relives past memories and letting go among string arrangements and heartfelt vocals. Even through the heavier parts, Anderson keeps the record moving and it makes the darker parts feel like a passing breeze. It’s the small quirks and pieces that make the record. It’s the fun nostalgia. It’s the subtle build-ups. It’s the memories built and remembered. It’s the keepers.
Labels:
cataldo,
deathcab,
dream pop,
electronic,
Indie,
keepers,
Music,
Music Review,
Pop,
record review,
Review
Metz "Cellophane" Track review
The first single off Metz’s forthcoming album, Strange Peace, is an absolute headbanger. The band never shy’s away from the noise and on “Cellophane” they bring it in by the truck full.
Singer / guitarist Alex Edkins creates a bleak and helpless picture of being buried alive, wrapped in plastic. “How will I know it’s real,” sings Edkins within explosive drum hits and noise drenched, sharp guitar riffs. It’s complete and utter despair while remaining as defiant as ever.
“Cellophane” is face melting, large, and noisy while managing to stay melodic at times, and more structured than some of the bands older works.
Strange Peace was recorded live to tape by Steve Albini at Electrical Audio Studios in Chicago and it will be out September 22 on Sub Pop.
Check out the track below!
Check out the track below!
Labels:
band,
cellophane,
metz,
minimal crimes,
minimalcrimes,
Music,
Music Review,
Post-hardcore,
Post-punk,
Post-rock,
Punk,
Review,
Rock,
sub pop,
track review
Tuesday, January 31, 2017
Sorority Noise "No Halo" Track review and cover of Brand New's "Me vs. Maradona vs. Elvis"
Sorority Noise will be releasing their newest record, You're Not As ___ As You Think, on March 17 via Triple Crown Records. The band's first single, "No Halo" is an intimate and heart wrenching song about dealing with the passing of a friend, something I can personally relate to all too much and too often. The song starts off with an upbeat guitar line reminiscent of some of the best early 2000's emo acts like Taking Back Sunday and Brand New. Cam Boucher finds himself set in the emotional turmoil of dealing with loss of a friend and not being able to be there and battling the urge to leave himself as he sings, "When God called you to fulfill a vacancy I tried to see why it wasn't me."
In my opinion this is the strongest and most vulnerable I have seen the band thus far and I thank you for that , Cam.
Keep on!
I mentioned Brand New earlier and it fits perfectly as Sorority Noise just released a cover of "Me vs. Maradona vs. Elvis" for the purpose of getting people involved and to donate to the ACLU. The cover is a beautifully haunting stripped down version that Cam is so good at producing, and it just so happens to be one of my favorite Brand New tracks.
Both of Cam's bands, Sorority Noise and Old Gray will be donating all proceeds from sales on their bandcamp to the ACLU. Please make sure to donate and buy yourself some great music from great humans in this critical time in our existence. Also make sure to go see Cam perform with Jeff Rosenstock, Ben Hopkins of PWR BTTM, and Eskimeaux in Brooklyn on February 3 to benefit CAIR-NY (Council on American-Islamic Relations).
Labels:
band,
brand new,
Emo,
Indie,
minimal crimes,
minimalcrimes,
Music,
music news,
Music Review,
no halo,
Pop,
Power Pop,
Review,
Rock,
sorority noise,
track review,
triple crown records,
you're not as__ as you think
Tuesday, October 18, 2016
Hurry 'Casual Feelings' Review
Earlier this year Hurry released Guided Meditations, a full length filled with 90's inspired, nostalgia filled tracks and messages, and now the band is back with a new 3 song ep called Casual Feelings, and it's fantastic.
Hurry is becoming one of my go to bands for all purposes. The songs are relatable and always bring me to other points in my life to reminisce or make me think of the future in a way that doesn't make me sick. The record moves along at the best pace. I don't feel this urgency to get through the songs even though sometimes the lyrical content hits too close to home. It's a slow burn and it moves at a great speed. It needs multiple spins though.
The title track "Casual Feelings" is the standout track for me. Sometimes I buy these really old records from thrift stores. The kind of records that are called "Honeymoon in Paris" or "Vacation in Rome" and I have this daydream of waking up with someone I care about, and it's warm and sunny, and the windows are open, and I put on those records because they are silly but nice, and then we make breakfast or something... yeah I like that stuff, ok? But anyways, this song makes me think of that.
Casual Feelings is out 10/21 on Lame-O Records.
Stream the ep on Brooklyn Vegan
Read my review of Guided Meditations.
Hurry will be laying:
10/14 Chicago, IL @ Subterranean
10/15 Cleveland, OH @ Mahal's w/ Slingshot Dakota, Kississippi
10/28 Philadelphia, PA @ PhilaMOCA w/ Eric Slick, Cherry, Cave People
11/18 New York, NY @ Mercury Lounge w/ Valley Lodge
12/17 Philadelphia, PA @ Union Transfer w/ The Starting Line, Jank
Monday, October 17, 2016
City Of Caterpillar Reunion Shows and Record Repress
Perhaps one of the most exciting pieces of music news that I've heard in a while is that legendary screamo giants City Of Caterpillar are not only repressing their only and incredible self-titled LP, but that the band in its original lineup is getting back together for the first time in 13 years for a handful of live performances.
City of Caterpillar bridged the gap between hardcore, punk, and indie. Their influence can be seen in most modern hardcore and punk bands. In their short existence in the early 2000's the band managed to create something that still to this day seems fresh and which transcends genre's but also the constant changing musical landscape. This record is both beautiful and chaotic. It's progressive. It's an instant classic in so many tight knit circles. This is passion. This is beautiful.
Stream the record on bandcamp.
Order the repress through Repeater Records.
City of Caterpillar will play:
Friday, Jan 13, 2017 - Richmond, VA @ Strange Matter w/ Bermuda Triangles, Big No
Saturday, Jan 14, 2017 - Philadelphia, PA @ Johnny Brendas w/ HIRS, Pinkwash
Sunday, Jan 15, 2017 - Washington DC @ Black Cat Backstage w/ Pygmy Lush, Malady
Monday, Jan 16, 2017 - Brooklyn, NY @ Saint Vitus w/ Big Hush, Ghastly City Sleep
Thursday, September 1, 2016
The Grebes "WinterNights" and "Colony" Track Reviews
The Grebes are releasing a new ep entitled DarkDays//WinterNights on September 13 and previous to that release they premiered two new songs on bandcamp. "WinterNights" and "Colony" and they are so good.
The band mixes folk with indie and they do it so well. "WinterNights" has a nice slow burn to it. It builds up to so many points where it should flow over the top into something massive but The Grebes always keep it controlled which I think works even better. The build up to the overflow happens to much and it's really great to see a band hold back without holding back. The musicianship and vocals are always on too.
"Colony" got me completely fucked up. I won't lie. I got chills, and after reading the facebook post about the song itself it hit even harder. All I can really say is that it's really wonderful to see a person who has dealt with heavy abandonment and who has channeled those feelings and has created something so powerful and inspiring. My hat goes off to you my friend. Thank you for this.
Stream both of these songs on bandcamp.
See them on the 14th at the Middle East.
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